This new translation of The Science of Logic (also known as ‘Greater Logic') includes the revised Book I (1832), Book II (1813), and Book III (1816). Recent research has given us a detailed picture of the process that led Hegel to his final conception of the System and of the place of the Logic within it. We now understand how and why Hegel distanced himself from Schelling, how...(展开全部)

In this encounter between one of the 20th century’s greatest minds and an artist fundamental to the development of modern art, French philosopher Michel Foucault explores Edouard Manet’s importance in the overthrow of traditional values in painting. . Originally delivered in Tunis in 1971 as part of a conference on Manet and here translated into English for the first time, this...(展开全部)

This collection of original essays by preeminent interpreters of continental philosophy explores the question of whether Western thought and culture have been dominated by a vision-centered paradigm of knowledge, ethics, and power. It focuses on the character of vision in modern philosophy and on arguments for and against the view that contemporary life and thought are distinct...(展开全部)

In this encounter between one of the 20th century’s greatest minds and an artist fundamental to the development of modern art, French philosopher Michel Foucault explores Edouard Manet’s importance in the overthrow of traditional values in painting. . Originally delivered in Tunis in 1971 as part of a conference on Manet and here translated into English for the first time, this...(展开全部)

在线阅读本书 In an inquiry that encompasses a probe of the human psyche, an analysis of the organization of primitive society, and an examination of the sources of profit and the accumulation of wealth, the noted economist explores the nature and dynamics of capitalism.

约翰·厄里，获剑桥大学社会学博士学位，此后于兰开斯特大学任教，曾任该校社会学系主任、社会科学院院长和研究部部长，以及英国皇家艺术协会研究员、社会科学研究院院士、科学研究评估计划社会学小组成员及主席。目前担任兰开斯大学流动现象研究中心主任。

We recognize the artistry of Mona Lisa's elusive smile, but is there an underlying science? In this groundbreaking study, Harvard neurobiologist Margaret Livingstone explains how vision works. She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's "Poppy Field" appears to sway in the breeze, Mondrian's "Broadway Boogie Woogie" blinks ...(展开全部)

In Vision and Art, Harvard neurobiologist Margaret Livingstone demonstrates that how we see art depends ultimately on the cells in our eyes and our brains. In this new expanded edition Livingstone thoroughly updates this groundbreaking study with the latest findings gathered from her research, with 32 additional pages of new text and images, including 3 brand new chapters. She ...(展开全部)